![]() In most cases, the length of a shot is tweaked to form a pattern. So this kind of editing can slow things down or speed them up at will.Ĭharacteristics of Rhythmic Montage Editing The definition of rhythmic montage editing is that every cut between each shot controls the pace at which the film or TV show accelerates. We see him dissecting how cutting back and form from him smiling or leering at different images changes our interpretations of them. Maybe my favorite video ever shows Alfred Hitchcock explaining Dialectical Montage. This is all audience manipulation and emotional strategy. For instance, we could cut from a man smiling to a coffin, to show he's happy someone is dead. Therefore, a dialectical montage refers to cutting together of unrelated images to generate an idea or emotion in the viewer. Sergei Eisenstein wrote a note of accord in "A Dialectic Approach to Film Form." In it, he said that montage is "the nerve of cinema," and that "to determine the nature of montage is to solve the specific problem of cinema." You can directly affect the way people feel by showing us one image, and then showing us a different one. It is not in every montage, but it's something to keep in mind. Juxtaposition is very important in montage. We can see two different fighters training, two different sides getting ready for war, or even two teenagers falling in love, as we see in Dilwale Dulhania Le Jayenge. Often, we see several different things going on at once. Juxtaposition happens within montages a lot. A montage can be a juxtaposition of two shots, but commonly refers to the juxtaposition of multiple shots to depict an event often in stretched or condensed time." We see repeated camera movements and mantras that begin to echo in scenes and help us understand the arc this character undergoes while inside the montage.Īccording to Hollywood Lexicon, "Juxtaposition is the film editing technique of combining of two or more shots to evoke an idea or state of mind. Think about how Rocky gets better and stronger from his training toward the end of the montage. Many times you will use these techniques to accentuate how a character or situation changes over the entire montage. ![]() When editing, you want to think about filmmaking techniques like: You can cut on the drum strike or verse change. Many people use music to help with the cuts inside a montage between different clips. To edit a montage, you need to find the pace and rhythm that makes the most sense for you. Maybe it's a bunch of stuff on nuclear testing, or different puppies doing cute things-assemble that footage. ![]() Or maybe grab a bunch of found footage that you want to be evocative of a mood. Make those decisions, and then shoot a number of scenes you want to reflect that. Is this going to show someone growing? A plan coming together? Are we seeing the years pass? Or days? Weeks? What's going on inside the story? So first, you need to decide what the montage is trying to accomplish. It's French, coming from monter, which means ‘"to mount" or "to assemble." The word comes from the early 20th century. Many montages are set to music to help accentuate the tone and genre. This is the technique where you take separate scenes from a film or TV show and edit them together to form a rhythm that shows the passing of time and functions together as a continuous whole. We're going to go into detail about how the montage is a technique of editing often set to music. What Is a Montage in Film and Television? (Definition and Examples) We'll define the term, look at some of the best examples across media, and have some fun. I want to talk about how you write them, shoot them, edit them, and make sure they work. Today we're going to cover all forms of the montage. But no longer!Ĭontinuity editing is so prevalent in film, it's one of the most important ideas to master. I know they're in Rocky, I know there are lots of montages in Christopher Nolan movies, but when it comes to telling you, "This is a montage," I struggle with it. For me, a "montage" falls under the category of knowing it when I see it.
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